About

Tenderground is an arts strategy and commissioning programme for the almshouses of Southwark Charities. Alongside provision of homes in two existing almshouses Southwark Charities is currently building a new almshouse to open in 2028, Tenderground is an innovative and ambitious strategy for the embedding of art and culture into the daily life of the almshouse and its residents. Through a varied arts commissioning programme, Tenderground explores methods and processes through which art and culture can be embedded to enhance the daily life of residents, foster the building of community, assist in the processes of change and transition and support the activation of the new building.

The programme is directed by Laura Wilson and Clare Cumberlidge & Co and supported by Southwark Charities. Wilson and Cumberlidge have been working together since 2022 to develop the art strategy for Southwark Charities. They are brought together through a shared interest in structures for communal living, developing partnerships and communities and working with artists to realise ambitious and impactful artworks.

Southwark Charities’ almshouses offer older people the opportunity to lead independent lives in a safe, secure and supported environment.

Laura Wilson
Laura Wilson

Laura Wilson is an artist and curator from Northern Island. Laura’s interdisciplinary and research based works have been exhibited recently at CCA Derry~Londonderry; Istanbul Design Biennial; V&A Museum; British Museum; SPACE; RIBA; Delfina Foundation; Norwich Castle Museum and Art Gallery; Whitstable Biennial; Camden Arts Centre; and Turner Contemporary. She was awarded the Dover Prize 2021, is the recipient of the inaugural Jerwood New Work Fund, a Churchill fellow, RSA Fellow and currently a visiting Fellow at the V&A museum. She is interested in working collaboratively with other artists and in 2022 curated two exhibitions: I Have Eaten It (1-28 February) with Open Space and Refettorio Felix and In-Side-Out-Side-In (22 September – 22 December) with Site Gallery, Sheffield.

Laura Worked for ten years in various programming and curatorial roles at publicly funded galleries in London, realising projects with artists including: Amalia Pica, Edward Thomasson, Ruth Ewan, Lloyd Corporation and Ilona Sagar. She was the Offisite and Education at Chisenhale Gallery where she initiated the gallery’s programme of Offsite commissions and received the Marsh Award for Excellence in Gallery Education.

laura@tenderground.org

Clare Cumberlidge
Clare Cumberlidge

Clare Cumberlidge & Co works nationally and internationally to deliver high profile commissions, engagement programmes, exhibitions, cultural strategies and campaigns. Founded in 2011 by curator and cultural strategist Clare Cumberlidge, we are expert in enabling art and art thinking to contribute to the challenges and opportunities of contemporary society. We work across art forms and cultures and are interested in developing models through which art and artists impact on everyday life. Clients and collaborators include the V&A, BBC, National Poetry Day, Tate, Argent Kings Cross, The Mayor’s Office, Fiona Banner, Southbank Centre, British Council, Marcus Coates, Museum of London, Wellcome Trust.

Clare Cumberlidge has pioneered new forms of curatorial practice, creative business and cross sector collaborations. She co-founded General Public Agency, an interdisciplinary agency delivering research and practice in the public realm, and Thirteen Ways, the curatorial and communications agency. Notable projects include concept and artistic direction of Mansions of the Future, a home for a shared democratic culture in the city of Lincoln, devising and directing the Arts Council England 60th Anniversary Campaign, producing the public realm strategy for Kings Cross Central and initiating the pioneering Science Museum Art Commissioning programme.  Clare is published on culture and creativity, public engagement, and the physical, symbolic and virtual public realm – Build Your Own; Tools for Sharing (Crafts Council), Design & Landscape for People (Thames & Hudson), Did Someone Say Participate (MIT press), The Good Life (Van Alen Institute), Slides as a Form of Public Transportation (Carsten Holler and Tate), and Society by Bridget Smith (Steidl).

clare@tenderground.org